Movie Talk
Olga on Feb 17th 2008
I’ve been watching a lot of movies lately. The weather has been so nasty and unforgiving this month that I’ve retreated into doing as much “warm” things as possible, namely curling up into a ball and watching stuff on the tube. Occasionally, I actually venture out into the world as well, but only if absolutely necessary. Otherwise, I’m wearing PJs and my extra warm socks and picking away at my cross-stitch.
It started off with No Country for Old Men, which I reluctantly agreed to see with my sister. I’m not a huge fan of gory films and I had heard rumours that this one was not for the faint of heart. Well, they were right. It certainly was a blood-fest. However, despite that it was a good film. The last Coen Bros. film I saw was Fargo and I didn’t see it all the way through. In fact, every time it’s on TV - and it’s on often - I can’t seem to watch it the whole way through. Anyway, since I paid to see No Country for Old Men in the theatres I had to sit there and take it all in. Bloody, silent, and intense. Those are the three best adjectives I can ascribe to the film. There’s no doubt that it’s horrifically violent and not in a “cinematic” style either - everything looked like it hurt. A lot.
Having seen one Oscar contender, I decided after that to watch as many of the Best Picture nominees as possible. This weekend I managed to finish off two more - Atonement and Juno. Atonement was sad. I didn’t really feel any emotion for any of the characters until right around the end when the “twist” (was it a twist?) came. I’m not sure if it’s the character or the actress but Kiera Knightley seemed selfish and arrogant. I felt terrible for the younger sister, though, which I believe I was supposed to. All in all, it was a pretty standard weepy sort of film. The score, on the other hand, was fabulous. If I can get my hands on that I will. I love classical music with a twist.
Juno was fun. It’s a cute little story about a cute little girl and I loved Jason Bateman. If I were Ellen Page I’d have a total crush on him. I wish Michael Cera could have had a bigger part in it but all in all it was a sweet little story. I doubt that it will win Best Picture but that’s just because the Academy is comprised of old men. 90% of the humour will be completely and utterly lost on them. Plus, they tend to pick dramas over comedies.
I also watched Sweeney Todd: The Demon Barber of Fleet Street (and I TOTALLY keep typing the Demon Barbar of Fleet Street. Could you imagine a giant talking elephant with a razer in his hand, killing people in Victorian England?) this afternoon. Don’t get me wrong, I love me a good musical but this one wasn’t my favourite. I guess I’m just spoiled because I grew up on Phantom of the Opera. My visions of London were always snowy and encased in an opulent but decaying theatre, not grimy and soot-faced. Violent and remorseless, it didn’t really solve any problems. “Mr. T” remains unhappy until the bitter end even when everyone is dead! Not even the faddish lure of Johnny Depp and Helena Bonham Carter made me care for any of the characters (except Sasha Baron Cohen who was awesome as Todd’s Italian rival). Overall, kind of a disappointment. I bet it would be more interested on the stage.
So all that’s left in Best Picture is Michael Clayton, which I have, and There Will Be Blood, which I think I might have to go to the theatre to see. Great, another gory film. I’ve always enjoyed watching Daniel Day-Lewis act but I’m not sure if I can stomach more blood. Unfortunately, Michael Clayton looks really boring. I read the imdb description and wasn’t too impressed. I’m definitely not a courtroom drama fan, they just seem so silly and have the potential of getting really convoluted. We’ll see, though. There are plenty of other films to watch as well!
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